Harry Potter and the Goblet of Fire
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Mike Newell
Steven Kloves
(screenplay)
J.K. Rowling
(novel)
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Brand New
Authentic U.S. Region 1
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Genre:
Adventure
/
Fantasy
/
Mystery
/
Thriller
Tagline:
"Difficult times lie ahead, Harry."
Plot Outline:
Harry's fourth summer and the following year at Hogwarts are
marked by the Quidditch World Cup and the Triwizard
Tournament, in which student representatives from three
different wizarding schools compete in a series of
increasingly challenging contests. However, Voldemort's
Death Eaters are gaining strength and even creating the Dark
Mark giving evidence that the Dark Lord is ready to rise
again. In the unsuspecting lives of the young wizard and
witches at Hogwarts the competitors are selected by the
goblet of fire, which this year makes a very surprising
announcement: Hogwarts will have two representatives in the
tournament, including Harry Potter! Will Harry be able to
rise to the challenge for the Tri Wizard Tournament while
keeping up with school or will the challenges along with
Voldemort's rebirth be too much for the young hero?
User Comments:
Good though rushed
User Rating:
7.7/10 (36,893
votes)
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Cast overview, first billed only:
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Eric Sykes |
.... |
Frank Bryce |
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Timothy Spall |
.... |
Wormtail |
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David Tennant |
.... |
Barty Crouch Junior |
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Daniel Radcliffe |
.... |
Harry Potter |
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Emma Watson |
.... |
Hermione Granger |
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Rupert Grint |
.... |
Ron Weasley |
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Mark Williams |
.... |
Arthur Weasley |
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James Phelps |
.... |
Fred Weasley |
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Oliver Phelps |
.... |
George Weasley |
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Bonnie Wright |
.... |
Ginny Weasley |
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Jeff Rawle |
.... |
Amos Diggory |
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Robert Pattinson |
.... |
Cedric Diggory |
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Jason Isaacs |
.... |
Lucius Malfoy |
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Tom Felton |
.... |
Draco Malfoy |
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Stanislav Ianevski |
.... |
Viktor Krum |
MPAA:
Rated PG-13 for sequences of fantasy violence and frightening
images.
Runtime:
157 min
Country:
UK
/
USA
Language:
English
/
French
Color:
Color
Format: Full Frame (Pan & Scan)
Number of Discs: 1
Sound Mix:
DTS
/
Dolby Digital
/
SDDS
Certification:
South Korea:12
/
Canada:G
(Quebec) /
Netherlands:12
/
Canada:PG
(Alberta/British Columbia/Manitoba/Nova Scotia/Ontario)
/
UK:12A
/
Brazil:10
/
Denmark:11
/
Mexico:B
/
Philippines:PG-13
/
New Zealand:M
/
Switzerland:10
(canton of Bern) /
Australia:M
/
Sweden:11
/
Iceland:10
/
France:U
/
Czech Republic:U
/
Austria:12
/
Brazil:12
/
Austria:10
/
Peru:PT
/
Japan:PG-12
/
Germany:12
/
Switzerland:12
(canton of Zurich) /
Taiwan:PG-12
/
Malaysia:U
/
Switzerland:10
(canton of Vaud) /
India:UA
/
Norway:11
/
Switzerland:9
(canton of Basel-Stadt)
/
Argentina:13
/
Switzerland:10
(canton of St. Gallen)
/
Hong Kong:IIA
/
Switzerland:10
(canton of Geneva) /
Chile:TE
(+7) /
Singapore:PG
/
Ireland:12A
/
Finland:K-11
/
USA:PG-13
/
China:13
Trivia:
Mike Newell
only received $1 million to direct (whereas
Chris Columbus
received $10 million plus a percentage of the gross to direct
Harry Potter and the
Sorcerer's Stone
(2001)).
Goofs:
Continuity: When Snape is showing Harry the veritaserum, his
fingers on the bottle switch from being at the top of the bottle
to in the middle between shots.
Quotes:
[
first lines]
Frank Bryce:
Bloody kids!
Awards:
Nominated for Oscar. Another 2 wins & 20 nominations |
User Comments:
Good though rushed,
18 November 2005
Author:
Mel J
from Dundee, Scotland
Based on one of the best
books of the Harry Potter series, the film adaptation of 'Harry
Potter and the Goblet' had a lot to live up to and I think it
succeeded. As Potter fans will know, in GoF, Harry is now
fourteen and in his Fourth Year at Hogwarts. When an ancient
tournament between Hogwarts and two other European wizarding
schools is held that year, a Seventh Year contestant is chosen
from each school to compete but things go dramatically awry when
Harry, three years too young to even be entered in the dangerous
and challenging tournament, is somehow also chosen after his
name is mysteriously nominated. GoF is a sharp turning point in
the books as the tone darkens considerably and the characters
themselves change from being rather wide-eyed innocent children
to adolescents thrust the turbulent, uncertain adult world where
being 'good' or even an innocent will not guarantee your
survival. This shift is also reflected in the film, which was
rated 12A (PG13 for Americans), the first of the HP films to be
rated so high.
I thoroughly enjoyed
this film (although Prisoner of Azkaban remains my favourite!).
Unlike the first two films and a few scenes in PoA, this did not
attempt once to condescend to small children in the audience. It
was as if Steve Kloves, the scriptwriter, finally realised the
bulk of the audience were teenagers and adults and that is who
he should be aiming the film at. The tasks of the Triwizard
tournament captured most of the thrills of the book,
particularly the second water-based task where the merpeople
were suitably creepy (now we know why none of the kids go
swimming in the summer term!), and, although the light romance
was touched upon, it wasn't over-emphasised unlike other films
which assume just because the script involves teenagers then
there should be plenty of stereotypical focus on teen love and
the like. The Yuletide Ball will please those who enjoyed the
scenes in the film but will also manage to engage audience
members over the age of sixteen who find teens ogling each other
a tad dull.
The acting of the
adult cast is, of course, exemplary as always. Alan Rickman's
Snape may only have had four or so scenes but he definitely made
his presences known while Maggie Smith really captured the
essence of McGonagall. Many people do miss Richard Harris'
Dumbledore but I found that Michael Gambon has done an excellent
job of moulding the role to make it his own. In GoF, Dumbledore
feels very human in the way he carries the weight of the
wizarding world on his shoulders and though he struggles at
times, his concern for his pupils is paramount. I finally felt
the close rapport between Dumbledore and Harry in this film that
was missing in the previous three HP flicks. However, the prize
has to go to Brian Gleeson for his scene-stealing depiction of
Mad-Eye Moody. Gleeson clearly enjoyed illustrating Moody's
dangerous, feral edge.
The younger cast
have also grown into their roles, improving from their previous
outing. Rupert Grint, usually used to playing a comical and
stupid Ron, had the chance to cut his acting teeth and show
Ron's darker, bitter side and he did well. The Phelp twins have
also improved dramatically. No longer do they come across as
wooden cut-outs just reading from a cue-card and instead they
are able to show the mischievous spontaneity of the Weasley
twins. And I look forward to seeing more of Matthew Lewis, who
was great at showing Neville's sensitive side without making him
too klutzy. Out of the younger cast, though, Dan Radcliffe is
the one who has progressed the most. In PoA, he was awful in the
'he was their friend' scene so he seems like another boy in the
harrowing graveyard scene and the aftermath, depicting Harry's
anger, feelings of vulnerability and grief. He still stumbled on
occasion in other scenes but I, at last, have faith he will be
able to do the Harry of 'Order of the Phoenix' justice when the
time comes.
Nevertheless, the
film did lose some points on a few issues. Although most of the
young cast have expanded their acting skills as they have gone
on, Emma Watson is waning. She has a tendency of
over-enunciating her lines and being too melodramatic, which
worked in 'The Philosopher's Stone' when Hermione was
condescending and childishly bossy, but is annoying by this
point. She spent most of the film sounding as if she was on the
verge of tears, even in scenes which were not remotely sad or
upsetting. There was also a choppy feel to the film, as if
Kloves struggled to properly condense the book into a two-hour
film. Those who haven't read the books will have missed quite a
bit and those who have read the books will feel the film is very
rushed. Molly Weasley and the Dursleys were also missed,
especially since I think Julie Walters would have been
exceptional in the Molly/Harry interactions that take place
aftermath of the graveyard scenes of the novel.
I think most Potter
fans will enjoy this although purists of the books should
perhaps stay away since they may not be able to tolerate how
much has been missed out. Non-fans will also get something from
this film as I imagine it is hard not to be captivated by the
many action and dramatic events. I would recommend that parents
of young children either keep away or, at the very least, check
out the film firstly before deciding if their child is old
enough to cope with it. When I went to see it, there was a small
lad of four or five being dragged along and in the middle of a
particularly fearsome incident, the silence of the moment was
cut by a wee voice crying, 'Mummy, I'm scared' so, parents, be
warned.
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