|
|
Dvds Direct |
|
|
The Clearing ( 2004)
Plot Outline: Wayne (Redford) and Eileen (Mirren) Hayes live the American Dream.
Together they've raised two children and struggled to build a successful business from the ground up. But there
have been sacrifices along the way. When Wayne is kidnapped by an ordinary man, Arnold Mack (Dafoe), and held
for ransom in a remote forest, the couple's world is turned inside out. Eileen finds her home full of FBI
agents, their life under scrutiny. While Wayne is engaged in the negotiation of his lifetime, Eileen works
frantically with the FBI to secure his release. The terrifying ordeal causes Wayne and Eileen to reassess their
marriage and come to a deeper sense of their commitment to each other. With each passing hour, the need and
desire for Wayne to return home safely becomes ever more urgent.
Also Known As: Anatomie einer Entf�hrung (Germany) Runtime: 95 min Country: USA / Germany Language: English Color: Color Sound Mix: Dolby Digital Certification: Argentina:13 / Australia:M / Chile:14 / Finland:K-11 / Germany:12 / Netherlands:MG6 / Singapore:PG / USA:R Trivia: Went straight-to-video in the UK. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
User Comments: 8 out of 12 people found the following comment useful:-A great character driven caper, 29 June 2004 Author: Greg (gregmoroberts@yahoo.com) from Oakville, Ontario Robert Redford is an icon. From the same DNA strand as Paul Newman and Clint Eastwood, younger viewers might
not be as versed as to their contributions over the past fifty years of film. In fact, when I asked a just
20-something person at the office about Mr. Redford, I got films like The Last Castle, Spy Games and The Horse
Whisperer as their reference to the name. No Butch Cassidy and the Sundance Kid. No The Candidate, and I won't
even begin to explain the bewildered expression I received when I mentioned All The President's Men.
Based on this ignorance (the word sounds a lot stronger than it is intended), I don't expect to see the
character driven The Clearing burning up the box office figures when it is released amongst a host of summer
blockbusters. With it's three main stars being in their 40's, 50's and 60's, I expect that younger audiences
might prefer some strange movie about a radioactive spider bitten school boy that opens the same week-end.
The Clearing is a story about a successful businessman, Wayne (Redford), who is kidnapped by down on his
luck Arnold Mack (Willem Dafoe) and held for a ransom of $10 million in a secluded forest. Motive being solely
money and a second chance at life, Arnold toys with Wayne's wife Eileen (Helen Mirren) and the F.B.I. sending
them clues and cryptic instructions in efforts to secure his bounty. Like most kidnapping films, the movie can
only end one of two ways really, and don't expect that to be revealed here.
The Clearing is not the first kidnapping movie and will be far from the last. Sometimes it is done well
(Man on Fire), sometimes bad (Proof of Life) and most times, Hollywood and test audiences determine the ending
or the amount of drama they will allow their leading cast to perform (Ransom).
That is why The Clearing was, well&refreshing. As a small, independent film, The Clearing doesn't
have to answer to the harsh brass that sway their approach based on night vision goggles in darkened theaters.
It can tell a story the way the filmmaker intended; raw, intense and without all the loose ends tied up like a
front of the tree Christmas present.
Instead, director Pieter Jan Brugge can let his actors do what they do best and wow us with the way they
work a camera and capture an audience using a look or a sneer. Pieter assembled the perfect cast for his
directorial debut. Dafoe is subtle as the kidnapping brainchild, but he is also able to project a vulnerability
that could have been awfully laughable in the hands of a lesser actor. Redford, coming off two paycheck roles
in Spy Game and The Last Castle, is equally convincing as a man flawed in character and without excuses. When
Wayne is confronted about his infidelity, he doesn't try to skirt the issue and there are no attempts to
justify the action. Instead, his deep blue eyes are able to relay back to the audience that of a man who wishes
things could have been different and who seems genuinely concerned about the hurt he may have caused others.
But maybe the best acting within the films running time is in the performance of Helen Mirren. Having to
deal with the uncertainty of her husband, the confrontation with his mistress and an F.B.I. agent that tends to
cause more harm than benefit, Mirren projects a woman of strength and stamina that is believable in her actions
and in her approach to finding a fitting conclusion to the complex ordeal. Handling the situation with class
and grace, yet frequently in panic over the possibilities, Mirren gives what is undoubtedly her strongest on
screen performance in the past 10 years.
It was a bit of a surprise in 2004 when The Clearing appeared at the Sundance Film Festival in Utah. Not
that it isn't the type of film that these festivals build their foundations upon, but the fact that this was
the first starring vehicle for Redford to be shown at the festival to which he created. Looking at his last 10
or so role choices, a better selection could not have been made.
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||